Do Karate Blocks Work

Do Karate blocks work? This question is hotly argued over by martial artists of all persuasions from the Kung Fu master to the judo beginner I found this article which is in favour of Kartate blocks and the author goes into great detail about his reasons for believing that they work


This article was first written by Dan Djurdjevic: here

I have placed it here for comparison

Why blocks DO work


Karate employs many techniques categorised as “uke” derived from the Japanese verb “ukeru” meaning literally “to receive”. It is fashionable in some circles to deride traditional blocks as “unworkable” or “ineffective”. The principal arguments in support of this proposition are that –

(1) there is little value in just “stopping” an attack – rather you should use other means to set up an effective counter; and

(2) in any event, the movements constituting traditional blocks are “too large” for practical use.

In many people’s minds these criticisms are seen as unassailable. That blocks “don’t work” is regarded as a fundamental truth, a basic assumption, unquestionable “fact”.

Yet I am firmly of the view that the criticisms underlying this assumption are completely misconceived – it’s just that no one has ever comprehensively dealt with them. I propose to do so now:

The 2 “answers” to traditional blocks

The wide acceptance that “blocks don’t work”



has fuelled 2 very different “answers” to traditional blocks.

The contact sports alternative to blocking

From the 70s onwards many contact sports schools have substituted boxing evasive movements such as dodging/weaving/bobbing (it was Joe Lewis who is famously quoted as saying “karate techniques from the waist up are a fraud” – he was talking principally about punches, but I’ve dealt with that to some extent in my article Visible force vs. applied force and I hope to deal specifically with the physics and mechanics of punching in the near future).

In the contact sports, if hands are used protectively they are held close to the face as a shield. This was initially advocated with closed fists (a la boxing – see figure 1) until the advent of ungloved fighting in the early 90s (Ultimate Fighting and MMA) when I suspect the reality of having your own fist shoved into your face was revealed as scarcely better than just taking the punch full on (again, more about the boxing vs. karate “guard” another time). Nowadays it is standard practice to hold the palms up against the sides of your head/face instead of your fists (see figure 2).

Figure 1: The boxing shield defence

Figure 2: The MMA shield defence

Revisionist “explanations” of blocking

The second “answer” to traditional blocking comes, ironically, from within traditional circles. It constitutes an entire school of thought that “there are no blocks in karate”, but rather they are a hidden “code” for certain counters, be they strikes (usually to vital points (known as “kyusho” or “dim mak”) or grappling moves or both.

The 2 “answers” to traditional blocks

The actual techniques described as “uke” in karate cover a wide range of defensive interceptions of attacks using your hands, forearms, thighs, shins and feet. The term “block” is actually a misnomer because traditional blocks don’t simply “stop” an attack. Rather they act as checks, parries, deflections, set-ups or any number of other moves that both –

(1) neutralise an attack; and
(2) set you up to counter effectively.

Clearly the argument that “there is little value in just stopping an attack” is a purely semantic one. It is the proverbial straw man, set up only so that it can easily be knocked down. I don’t propose to waste any more time on this “argument”.

I will continue to use the term “block” in this article to cover “uke” partly for the reasons stated above, partly out of habit and partly because there is no one term that readily comes to mind that would encompass the concept of “uke” (“deflection” comes closer I suppose, but never mind).

The second criticism is misconceived

Now for that old chestnut – “traditional blocks use movements that are too large to be applied against real attacks”.

I had a young boxer come up to me once and say this, so I invited him to throw his fastest jab. Of course, with my own guard up, I was able to deflect it easily, using a hiki uke (see the series of pictures comprising figure 4 and the video below).

Figure 3: the hiki uke

For future reference, by “hiki uke” I’m talking about the circular open-handed goju block known by some as “kake uke” – see the series of pictures comprising figure 3.

Simple physics should tell you that blocks can beat jabs. If you have your arms up in a guard your arm will only have to move about 10cm to deflect a jab. The guy throwing the jab has to move half a metre. Even taking into account your reaction time you have the advantage (provided your handspeed is similar).

A video showing hiki uke applied against realistic attacks

Figure 4: hiki uke against a jab

However my demonstration was far from persuasive. The boxer’s reply was “well that isn’t the same as the block you showed me before, so I’ve just made my point…”.

Presumably he was objecting to the fact that I had “cheated” by using only a small part of the hiki uke to deflect his attack – not the full basic. He walked away, triumphant and all I could do was shake my head.

“It’s all about the basics, stupid”

When people say that “blocks don’t work” they are usually referring to basic techniques that were never intended to be applied literally. They are formal movements designed to groove movement along a certain plane/angle optimum to effect deflections or interceptions.

Accordingly blocks are a training method: a magnification of much smaller, subtler techniques. By magnifying a movement you can better learn about, understand and appreciate its function. Then you apply it – usually in a greatly abbreviated, or partial form.

How did that boxer suppose I developed my ability to deflect his jab – by practising funny little jabbing motions approximating my actual defence? No – the basic hiki uke has, for many years now, served me very well as a practical training tool. Thanks to the basic hiki uke I’m left with a skill which is all but absent in those who do not practice this technique. As an instructor I have tried to shortcut this method by cutting straight to 2 person application, with disastrous results. In my experience you need to learn the basic first before you apply it.

In this respect I return to one of my favourite analogies: saying blocks don’t work “because no one does it like that in the street” is about as meaningful as criticising speedball training “because no one punches like that in the street”. It’s just another straw man.

Practising a complex movement so that you can use a part of it

However, note that I emphasised the word partial above. I did this because this feeds directly into another point concerning the young boxer. I had used only the top part of the “hiki uke” circle in my deflection. For another attack I might have used the first part of the movement, for another the “supporting” or “secondary” hand.

Two blocks for the price of one…

For the purposes of the latter, you should be aware that every basic block contains 2 movements – the primary block (a larger movement) and a secondary block (a smaller movement) in the “pullback” arm (what some people call the “crossing hand”). I am astounded as to how few karateka today are actually aware of this fact. The 2 blocks are intended to be used in concert (in transferring, trapping etc.). Alternatively the secondary block can be seen as a kind of backup if the primary one fails. Furthermore, what I have termed the “secondary” block could actually be used as the principal deflection – while the primary “block” is used offensively etc.

This article has focused on the use of the primary block only, and deliberately so: My focus here is to deal with the issue of the general principle of deflection. I have dealt with the issue of primary and secondary blocks and their use/relationship in a separate, detailed article (see Two for the price of one: more about karate “blocks”). For the time being, some of this principle is demonstrated in the general video about goju-ryu blocking below at about 1:43 to 2:09.

A video demonstrating the “primary” and “secondary” parts to goju-ryu blocks

Basic blocks are actually a collection of separate techniques

In other words, the basic block isn’t “just” a tool for grooving angles of deflection. It is a “complex” movement or, put another way, a collection of related movements any part of which is capable of being applied.

The basic and applied versions become one and the same

A senior practitioner gets the same feeling executing a small movement as a beginner might executing the basic, “large” movement. Hence the senior practitioner may regard the small movement applied in combat and large movements used in the traditional block as one and the same – part of the same continuum, if you like. It is for this reason that I didn’t come up with an immediate reply to the boxer: the continuum was, to me, self-evident. It was so self-evident that I hadn’t consciously thought about it enough to put it into words.

Blocks are your first line of defence

My central point about blocks is: why wouldn’t you use them?

It is abundantly clear to me that one’s arms (and legs) are one’s first line of defence – they can intercept, deflect, check parry etc., especially when they are used with evasion (see Evasion vs. blocking with evasion). They can intercept the attack before it reaches full speed. They can set you up for a striking counter or a grappling manoeuvre.

Why in Heaven’s name would you abandon your first line of defence? Why would you rely solely on evasion when you can use blocks and evasion simultaneously? Why would you allow your opponent’s attacks to reach full speed before trying to evade them? In what sense is it better to become a moving target rather than an intercepting missile? And in this case why can’t you be both?

I remember as a child playing goal keeper in soccer and valiantly trying to dive for the ball along the goal line when facing an oncoming striker (who had passed all our defenders). The coach came up and rightly told me off: I had waited until the striker came right up to me at the goal posts whereas I should have gone out to meet him…

Relying on the “shield”

The current “preferred defence” in contact competition is the “shield” I referred to earlier (as used in MMA – see figure 2). You hold your hands on head and let them be punched rather than your face. I’m not going to disagree with this technique. It has its place. Sometimes you just can’t intercept a blow, so you have to wear it the best you can. But this technique is no substitute for proper blocks.

So why don’t more martial artists apply blocks in fighting/sparring?

In my view the reasons for the demise of blocking in modern martial arts are manifold:

You can’t block with boxing gloves…

Modern sports history plays a big role. In gloved sports it is simply not possible to block: the gloves radically alter the nature of your options in both attack and defence. Traditional blocks are designed to be used in bare-knuckle fighting. When you put 2 big pillows on the end of each fist it can cramp your “blocking style”, to say the least.

Those who have moved to ungloved fighting (eg. MMA) have predominantly done so from 2 disciplines that do not practice blocks in their traditional guise: boxing/kickboxing on one hand, and ground fighting or grappling on the other. Despite their roots in traditional forms, kickboxers (a la the greats: Benny “The Jet” Urquidez, Bill Wallace and Joe Lewis) abandoned them at the first instance because they had no role in gloved contests. BJJ practitioners might use checks/deflections of a kind in their vale tudo, but these are rudimentary and incidental to their primary technqiues: they rightly focus on their strengths, which are grappling techniques.

Traditional martial artists “going along for the ride”

But you’ll no doubt comment that many traditional martial “stand-up” artists have “gone along for the ride” in dropping blocks from their curriculum. If they do practise them, they regard them with a curious, quaint affection – like the Model T Ford you might have parked in your garage next to your Mazda MX5.

For these martial artists it is getting increasingly harder to justify retaining traditional blocks. They might bring them out at the start of the class for “air practice”, only to put them in the garage once the “real” action starts (ie. the sparring). They certainly don’t think of their blocks as an essential, or even useful, addition to their armoury. The “running costs” are disproportionate to their “sentimental” value.

As a result it’s sad to say, but most kung-fu, karate and taekwondo I see in competition looks like a generic form of “faux boxing”. Different stand-up traditional martial arts (never mind different styles of the same art) become indistinguishable once they square off on the competition mat/ring. I was first struck by this more than 20 years ago when my instructor and I were watching an “all styles” contest and he lamented that one should be able, at a glance, to distinguish a kung-fu, karate or taekwondo practitioner in a contest. This is however rarely the case – right down to the “Ali” style skipping which arguably has no place in traditional Asian martial arts disciplines (more about “skipping” another time).

[As an aside, one of the few exceptions to the “faux boxing” model would be Mas Oyama’s kyokushinkai karate competitions, where a distinctive style of kumite has developed independently of Western boxing. However the particular rules employed in those contests (specifically not punching to the face) also do not favour/necessitate the use of blocking.]

So what has led so many traditional martial artists to pay no more than lip service to blocks?

First, there is a lot of propaganda out there, and it can be very persuasive when put in the context of examples of very impressive boxing and grappling skills.

Historically there is also a lot of glamour associated with Western boxing: people want to “float like a butterfly and sting like a bee” just as Ali did. They want to emulate Bruce Lee’s eclectic, boxing-influenced fluidity. Traditional martial arts might have been respected (at least at some point), but not being sport-focussed they offered few role models for the mat/ring which is “where the action is”.

At the same time, the benefits of traditional blocking practice are not readily apparent as they require years to realise. Misunderstanding the role of basics is not difficult in this context.

However there is another, more upsetting, factor that I believe has contributed to the “bad press” suffered by blocks:

Dilution in understanding

It is my view that the rapid spread of arts such as karate throughout the world has also resulted in a great deal of dilution in understanding of traditional techniques. Some of this dilution might have occurred even earlier (eg. in the case of karate, in its transmission from China to Okinawa – see my article Karate and the Chinese arts: Part 1 and Part 2).

Put simply, many martial artists today don’t use blocks in sparring/fighting because they haven’t acquired the necessary skill obtained by practising them either sufficiently or correctly. In respect of the latter it is crucial to note that traditional blocks won’t work if some part of the movement is incorrect or missing. Often I see the macro movement of traditional blocks is there, but the detail has long vanished or been misunderstood/reinterpreted.

Consider the following examples:

Figure 5: How not to do a chudan uke

The series of pictures comprising figure 5 shows a typical “chudan uke” from karate as performed (incorrectly in my view) by many modern karate and taekwondo practitioners.

This version relies on the assumption that the block must move sideways and then come back in. It relies on forcefully “smashing” your opponent’s attack out of the way. The forearm is fixed (ie. it doesn’t rotate) and the sideways “smash” is completely linear, catching the attack with the thin (weak) edge of your forearm.

The absurdity of this approach was made clear to my by one of my first students who asked how one could possibly block a punch with such a technique, the first half of which required you to move away from the attack, simultaneously creating a massive opening.

The answer was, of course, very simple (although I couldn’t articulate it immediately as a young teacher – I realised when I got home, but the beginner never came back for a second lesson…).

You should never “move away” from the attack. You should go out to meet it – just like that goalie who, caught on his own, is confronted by an advancing striker…

Consider the following 2 (equally valid) alternatives to the ham-fisted approach in the series of pictures comprising figure 5:

Figure 6: the goju chudan uke

The series of pictures comprising figure 6 shows the goju-ryu chudan uke (as found in, say, the kata gekisai dai ichi). It is performed by executing a deflection at 45º to intercept the attack before it has reached its full speed, redirecting it to the side with a continuous circular action. The block manages to intercept the attack almost from beneath so that the flat (strong) edge of your forearm is the first to contact with the punch.

Figure 7: the shorin chudan uke

The series of pictures comprising figure 7 shows the shorin-ryu chudan uke (as found, say, in naihanchi shodan). This block also relies on a circle to deflect the attack, however the circle being utilised is not inscribed by the forearm moving at 45º to the body: rather the circular action creating the deflection is in the twisting forearm. Once again the flat edge of your forearm is the first to contact your opponent’s attack.

This block is particularly useful when the forearm is already to the opposite side of the body (possibly from some other technique). You certainly wouldn’t deliberately throw your arm out to the side (thereby creating an opening for your opponent) just to create some momentum for your block. Again, you might go out to meet the attack, in which case the technique is known as mae ude hineri uke – as found after the punch in the opening 3 moves of sanchin/sanseru/seisan/suparinpei.

A video showing the application of chudan uke

In both cases the block does not rely on brute force. There is also very little impact – contrary to the “smashing” (meeting force with force) approach taken in the misguided figure 5 “technique”. Rather the circle causes the attack to “slide” past and puts you in an advantageous position.

Of course the 2 types of basic chudan uke can be combined: you can use a 45º angle circle together with a twisting forearm circle to generate an even more efficient deflection. This is seen in many of the kata – eg. seipai.

Most arguments against traditional blocks generally centre on the age uke – the rising block. It is important to note that this block is arguably one of the most basic, but even it is profoundly misunderstood. In the near future I propose to deal specifically with age uke against realistic attacks. In the interim I’ll confine myself to countering at least one argument that a Western taiji “master” raised at a seminar I attended in 1989: his argument was that age uke was profoundly misconceived because it relied on blocking with the small bones of the forearm – not the flat edge. In this regard he was completely wrong, as I’ve explained in the video below:

An analysis of the basic age uke or “rising block”

Dealing with the revisionists

I agree that many “blocks” in kata have other meanings/uses/applications. However I think this interpretation has been highly overstated in recent years (as part and parcel of the greater drive towards finding “hidden” or “secret” bunkai – a whole “industry” seems to thrive on this stuff). Most blocks are, in my view intended primarily to assist avoiding being hit (while creating a set-up).

To paraphrase Freud, “sometimes a block is just a block”.


What misleads some people is the fact that basic blocks (including those in some kata like gekisai) appear to be “large” or “impractical” movements. However this thought process involves a fundamental misunderstanding: basic blocks are training tools that contain the complete plane of deflection for a particular angle. When you apply the block you might only effect part of the basic movement. Basic blocks should not be applied literally.

I doubt I could execute a full classical hiki uke against a jab, or probably any basic block against a realistic attack. However basic blocks are necessary tools to gaining the ability to execute smaller deflections with the same internal “feel”.

People often look to the destination (ie. how an expert does something) and not the journey (how he/she got there). Understanding relativity in training methods is at the heart of mastering any art form.

Remember that at its most basic level a block is just an interception of a blow using your hand, forearm, upper arm, foot, shin or thigh. A punch screaming towards your head might well be intercepted by your hand more efficiently than bobbing your head out of the way, particularly if your hand is already in a “guard” position and only has to move 10cm or so to effect a wedge or other deflection. Generally blocks are also backed up by “taisabaki/tenshin” or body evasion so that you do not rely on blocks alone (see my articles Taisabaki and tenshin – evasion in karate: Part 1 and Part 2 and Evasion vs. blocking with evasion).

In our school we most definitely use blocks as part of our arsenal – and, I believe, very effectively too.

Muidokan randori: an example of blocks applied in sparring

Our sparring does not look like boxing as we are not boxers (again see my article Randori – the function of “soft sparring” in martial arts training). Once you start to apply the karate techniques you practice (rather than be a second rate boxer who never practices boxing techniques) you might just find out how effective blocking can be…

And yes, in some circumstances blocks in kata may represent more than just the block: they might disguise locks or holds or represent pressure techniques etc. But to say that kata do not have blocks at all is, in my view, an unnecessary revision of traditional forms that unquestioningly accepts the myth that “blocks don’t work”. In my experience it is self-evident that they do!

The blocks/deflections demonstrated here are also very basic: I will deal with more advanced deflections at a later time. Suffice it to say that advanced deflections are also simultaneous attacks.

Copyright © 2008 Dejan Djurdjevic

I ahve read all of this and I have seen all the videos describing how to make these blocks work, my partner and I have ttried to be as realistic as possible and instead of trying to block a punch that is going to fall short of the target by a few inches I asked her to actually hit me in the face.

If you would like to find out for yourself if a block works just get a friend of yours to put on a pair of boxing gloves and let the attacker punch you in the face or body one punch after the other and tell them not to hold back but instead insist that they really try to hit you, this is the only real way to test if the blocks that you think should work do work, see video below, try to get your partner to hit you ten times and see how many times you can block the full attack punches

Do Karate Blocks Work?

Here is a pole that you can try write down how many times you were able to block with success out of 10

Do Karate Blocks Work? How Many Successful Blocks Out Of 10

pollcode.com free polls



  • darrengurdefish

    Where to start…

    • Dan Djurdjevic

      Here is just one video in which I illustrate how the basic rising block (common to karate and arts like taijiquan, baguazhang and xingyiquan, among other Chinese arts) is adapted and applied. It is never applied literally as the basic teaches. The basic teaches you fundamentals (the plane of your outward interception, the angle of your forearm at interception and at completion, the rotation of the forearm and the timing of that rotation, etc.). Why anyone would take the basic rising block and make a straw man argument out of showing how it “doesn’t work” is beyond me.

      • Hi I can see where you are coming from, I find all imput to be of great interest and importance, all your comments are welcome, you no doubt have a great deal of knowledge, thanks again

    • Hi thank you for your reply, it’s very interesting, you have done quite a bit of research, I like what you have to say